Genre action, complete, crime, k-movies, mature, suspense, thriller IMDB rating: N/A Director: Lee Sa-Rang Writers: Lee Jung-Sub Stars: Kim Soo-Hyun, Sung Dong-Il, Lee Sung-Min, Sulli, Jo Woo-Jin COMMENTS Komentar Kamu Tentang Drama ini? Facebook Comments
TahunRilis: Januari 2022 Genre: Period Adventure Film, Comedy Produksi: ANEW, Oscar 10 Studio Sutradara: Kim Jeong Hoon Pemeran: Kang Ha Neul, Han Hyo Hoo, Lee Kwang Soo, Kwon Sang Woo The Pirates: The Last Royal Treasure (2022) merupakan spiritual sequel dari The Pirates (2014).Tayang di biskop Korea pada 26 Januari lalu, film ini sudah mencetak angka yang cukup tinggi.
1 Nevertheless Nevertheless dibintangi oleh Song Kang dan Han So Hee. Drama yang tayang di Netflix ini banyak menampilkan adegan ciuman dan ranjang. Bahkan, Nevertheless dianggap sebagai drama Han So Hee dengan adegan ranjang paling hot. 2. My Name Han So Hee melakoni adegan ranjang dengan Ahn Bo Hyun di drama Korea My Name .
TheGangster, The Cop and The Devil - Jang Dong Soo adalah bos geng di Cheonan. Dia menjadi target dari seorang pembunuh berantai, Kang Kyung Ho, tapi akhirnya selamat dari serangan itu. Dia adalah satu-satunya orang yang selamat dari serangan pembunuh berantai ini.
KimSoo Hyun juga menyadari film yang diperankannya banyak dicibir orang. Namun, Kim Soo Hyun justru bangga, karena film Real merupakan hasil kerja kerasnya selama ini. "Aku sadar film ini membuat banyak orang terkejut. Mereka belum membuka pintu untuk film dengan adegan ini. Padahal, film ini memiliki jalan cerita yang bagus," kata Kim Soo Hyun.
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Director Love Lee Writers: Jungsub Lee (as Jeong-sub Lee), Huh Young-Man (character created by: REAL - TAZZA) Stars: Kim Soo-hyun, Sung Dong-il, Lee Sung-min, Choi Jin-ri, Jo Woo-jin Etiketler: Download Real 2017, Nonton Real 2017, Streaming Real 2017
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F9n5vI. Summer is only just now upon us, which means it’s way too early to take stock of the year’s best movies. Or is it? We all know that the Oscar pundits don’t really start making noise until the final months of the year, from September to December those are the months in which the Oscar hopefuls start rolling in, and studios start campaigning for their big releases. But the halcyon days of June, July, and August shouldn’t be undervalued this is the perfect time to catch up on terrific movies that may have eluded your radar in the early months of 2023. The avalanche of hype will start soon enough. Catch up on these smaller but no less worthy pictures now, before the conversation turns into a noisy free-for-all. Saint Omer French documentary filmmaker Alice Diop’s first fiction feature is based on a real-life French court case involving a Senegalese immigrant who left her 15-month-old daughter on a beach to die. From that story, Diop has extracted a picture that’s both poetic and compassionately direct. Rama Kayije Kagame, a professor and novelist, travels from Paris to the town of Saint-Omer to attend the trial of a woman named Laurence Coly Guslagie Malanda, accused of an unthinkable crime that she doesn’t deny. Rama’s plan is to gather material for an updated retelling of Medea. But as she listens to Laurence’s story, she begins to see the web of experience and feeling that connects her with her subject. This is a perceptive and delicately unnerving work, a reflection on the way humans can instinctively reach out to one another even across seemingly uncrossable chasms. Malanda’s radiantly somber face, held by the camera with a kind of inquisitive tenderness as she tells her story on the stand, is the heart of the picture. Read more A Woman in France Claimed Witchcraft Made Her Kill Her Baby. The New Film Saint Omer Humanizes Her Story Past Lives In Celine Song’s extraordinary debut film, Nora Greta Lee, a playwright living in New York, married happily enough to fellow writer Arthur John Magaro, finds her world rattled when a man from her past, Teo Yoo’s Hae Sung, suddenly re-enters her orbit. She’d been close friends with him in childhood, before she and her family emigrated from South Korea to Canada; they’d reconnected briefly as adults, if only via Skype, but a romance seemed impossible. When Hae Sung shows up in New York, Nora begins to wonder if she’s made all the right choices in her life, asking the kinds of questions that can knock anyone’s world off its axis. Song has said the story she tells in Past Lives is semiautobiographical, and that’s easy to believe. There are no villains here; no one lashes out or behaves badly. The movie ripples with the quiet melodrama of real life, the way big things often happen in the margins, and small things gradually come to mean the world. Somewhere between the right and the wrong decision is the choice we learn to live with, a sea of joy and sadness and everything in between. Reas more Celine Song and Greta Lee on Past Lives’ Alchemy of Memoir and Artistry One Fine Morning Writer-director Mia Hansen-Løve’s delicately shaded One Fine Morning deals with the wrenchingly mundane nature of caring for those who used to take care of us. But it’s also about the difficulty—and the necessity—of tending to our own emotional lives even as we’re looking after others. Léa Seydoux is Sandra, a widowed translator living in Paris with her eight-year-old daughter. She’s been alone for a long time, but she tumbles into a kind of happiness after a chance encounter with an old friend, Clément Melvil Poupaud, turns into an illicit affair. She needs some joy in her life her father, Georg Pascal Greggory, suffers from a neurodegenerative disease that has already robbed him of his sight and is now, increasingly, blurring his mind. It doesn’t matter that Georg has always been a little distant as a father; Sandra must still do her best to care for him, whatever “her best” might be. This is a movie about how the most joyful moments of our lives are sometimes entwined with the worst, a state of uneasy grace that’s as close as you can get to a happy ending. Read more One Fine Morning Is a Quiet, Sturdy Portrait of a Woman Who Has Lost Her Way Emily We know very little about the woman who wrote Wuthering Heights, one of the great gothic novels, a story of melancholic obsession and of love that seeps into the soil of the grave. But Frances O’Connor’s directorial debut, which blends fact with fanciful fiction, paints a haunting and sympathetic portrait of the person Emily Brontë might have been. Emma Mackey plays Emily, the sheltered and eccentric daughter of an uptight Yorkshire curate, growing up with siblings—including the competitive, passive-aggressive Charlotte Alexandra Dowling—who help shape the writer she’ll eventually become. But the spark that truly ignites her imagination is an intensely erotic but ill-fated love affair with the young curate hottie, William Weightman Oliver Jackson-Cohen, who has come to assist her father in the parish. Is this really how Wuthering Heights came to be? Almost certainly not. But in surfing the wave of Brontë’s unknowability, O’Connor ultimately reaches a kind of emotional truth, one that chimes with the ideas this enigmatic writer folded into the prose of her only book. Read more Emily Paints a Haunting Portrait of the Most Mysterious Brontë Showing Up Making anything of value—a work of art, a poem, a solid piece of furniture—demands a deep descent into the self, to the point that it’s easy to neglect the needs of others in your orbit. Stay in that zone too long and there’s a danger of forgetting how to have a simple conversation or make a phone call, of going a little feral. That’s just one of the ideas at play in Kelly Reichardt’s quietly extraordinary drama Showing Up. Michelle Williams is Lizzy, a Portland sculptor getting ready to mount a small but, for her, important show. Yet everything about Lizzy is coiled tight there’s friction between her and her closest friend, Jo Hong Chau, who’s also her landlord. And she’s worried about her brother, Sean John Magaro, a fragile soul who’s barely tethered to reality. Why can’t the world accommodate her as she gets ready for her big moment? Lizzy seems to wonder. Williams’ performance, as a woman whose art demands deep inner travel but whose movement through the everyday world could use some improvement, is a work of abrasive magic. Lizzy is perplexed, anxious, constantly and unreasonably annoyed by the behavior of others. And still, you feel for her. Read more In Showing Up, Michelle Williams Gives a Terrific Performance as an Ornery Artist Are You There God? It’s Me, Margaret You needn’t have grown up with Judy Blume’s best-selling young adult novel to appreciate the joys of Kelly Fremon Craig’s adaptation. Eleven-year-old New York City girl Margaret Abby Ryder Fortson isn’t too happy when she learns from her parents Rachel McAdams and Benny Safdie that the family is picking up stakes and moving to the Jersey suburbs. But she makes new friends quickly, becoming part of a secret club of neighborhood girls. Their rules, informed by inexplicable adoloscent logic, include directives like “No socks!” The joys of childhood are already wearing thin with this group; they just can’t wait to grow up. Who will be the first to be kissed? Who will menstruate first? The wonder of Are You There God? isn’t just that it deals directly, and without condescension, with the vagaries of preteen awkwardness; it’s that it speaks so ardently to the adolescent in all of us—particularly, maybe, women who are going through menopause or already on the far side of it. That monthly event that used to rule your calendar, and to a degree your life, isn’t forever—but sometimes it takes a work of fiction to remind you what life was like before its onset. Read more The Best Judy Blume Books to Read at Every Age Master Gardener Even though the romantic thriller as a genre has gone somewhat out of fashion, veteran screenwriter and director Paul Schrader still knows how to make these pictures better than anyone. Master Gardener is the third of a loose trilogy of movies that also includes First Reformed 2017 and The Card Counter 2021, all three entwined around the idea of male guilt. These are stories of men who feel they deserve punishment and instead find redemption. In Master Gardener, Joel Edgerton plays Narvel Roth, a sensitive and devoted horticulturist with a past rooted in racist hatred. He’s in charge of the lavish historic garden of rich uppity white lady Norma Haverhill Sigourney Weaver, who one day informs him that he must give her headed-for-trouble grand-niece, Maya Quintessa Swindell, a job. She also informs Narvel, in icy-crisp grand dame tones, that Maya is of “mixed blood.” The less you know about Master Gardener going in, the better tracing the trail of these characters’ secrets is part of the thrill. Can human beings really change? In Master Gardener they can. This is a film nourished by a sense of wonder, as fresh as the hardiest wildflower. Read more Master Gardener Reminds Us of the Deep Pleasures of the Romantic Thriller Contact us at letters
The Shanghai International Film Festival, China’s most prestigious movie industry event, kicks off its 30th-anniversary edition Friday night. It will be the first version of the festival that’s easily accessible to the global film community since 2019, after the past three editions were either canceled or rendered difficult to attend by strict COVID-19 travel restrictions at the time. This year, film stars from at home and afar will descend on China’s commercial capital to celebrate the ongoing comeback of China’s movie business. Jason Statham will lend some Hollywood star power to the proceedings when he walks the red carpet for the festival’s opening ceremony Friday night in promotion of his upcoming Warner Bros. blockbuster sequel, Meg 2 The Trench, which opens Aug. 4 and co-stars Chinese leading man Wu Jing. European film legend, Jerzy Skolimowski of Poland — who wrote Roman Polansky’s landmark Knife in the Water as far back as 1962, and was nominated for an Oscar just last year for EO — is the chair of Shanghai’s competition jury this year. And scores of Chinese talent will participate across the event, including the heads of China’s biggest film studios and actors including Zhang Hanyu, Xia Yu, Chow Yun Fat, Han Geng and many more. The festival’s film selection is as eclectic as ever — with a conspicuous absence of any titles from the and Korean film industries — but with plenty of potential gems scattered throughout the programming. The festival runs June 9-18. Below, The Hollywood Reporter has picked five promising titles to check out in Shanghai. Love Never Ends, directed by Han Yan ChinaHan Yan, long considered one of China’s most promising young commercial directors, opens the 25th Shanghai International Film Festival with this romantic drama about finding love late in life. Tony Leung Ka-Fai, Cecilia Yip, Ni Dahong, and Kara Wai star as two elderly couples who find solace in the film’s story, which is adapted from a wildly popular webcomic by South Korean artist Kang Full. Han made his breakthrough in 2015 with Go Away Mr. Tumor, which was selected as China’s Oscar submission that year. His most recent feature drama, A Little Red Flower, earned $216 million in December 2020, so hopes are high for Love Never Ends. Mom, Is That You?!, directed by Yoji Yamada JapanA living treasure, Japan’s Yoji Yamada, now 91 years old, arrives in Shanghai with his 90th feature film — and one that returns to a theme he has mined with uncommon mastery over his 60-year career family. Mom, Is That You?! is the third installment in Yamada’s “Mother Series,” following Kabei Our Mother 2008 and Nagasaki Memories of My Son 2015, both well-received by critics. The film follows Akio Yo Oizumi a beleaguered salaryman on the brink of divorce and with a fraught relationship with his college-aged daughter. One day, he decides to pay a visit to his mother Japanese screen legend Sayuri Yoshinaga, and notices that things seem to be a little off. She’s traded her kitchen apron for stylish clothes, seems livelier than ever — and is even in love. As he begins to investigate, Akio sees a side of his mother he’d never noticed before — and starts to discover an important part of life he had lost sight of. Dust to Dust, directed by Jonathan Li This crime thriller, starring popular comedian Da Peng and actor Zhang Songwen star of the recent hit TV drama The Knockout, is based on a real armed robbery from 1995, when a group of five thieves ambushed a cash transport vehicle in Guangdong, killing three bank couriers and making away with millions. Three of the culprits were quickly apprehended, but the two masterminds disappeared without a trace — until they suddenly turned up two decades later. The film is directed by Jonathan Li, who cut his teeth as an assistant director on several Hong Kong crime classics, including Infernal Affairs 3, Dog Bite Dog, and the Overheard series. The Signal, directed by Lee Phongsavanh LaosShanghai is making much of the fact that it has dug deep into some of Asia’s lesser-known territories this year — and here, in the Asian New Talent section, comes some horror-tinged family drama from Laos, likely the smallest market the region has in terms of film production. First-time feature director Lee Phongsavanh’s plot shows promise — a country girl arrives in the big smoke to search for her father and unearths some unsettling family secrets — and much is expected given how unsettling films from the genre produced by Southeast Asian neighbors, such as Thailand and Vietnam, can so often be. Master Zhong, directed by Wang Yuxi and Huang Shanchuan ChinaChinese streamer iQiyi makes no secret of its global ambitions, and its backing the country’s burgeoning animation sector to help it reach international audiences. The streamer has tapped into the talents of two graduates of the influential Beijing Film Academy’s animation school for this one. The film tells a tale of a demon slayer who comes to the rescue of a young girl trapped in the underworld — and who then takes the kid on as an apprentice. Yoji Yamada’s Mom, Is That You?’ Courtesy of the Shanghai Film Festival
Title Real Original Title 리얼 Genre Action, Crime, Mature, Suspense, Thriller Cast Jo Woo Jin, Kim Soo Hyun, Lee Sung Min, Sulli, Sung Dong Il Year 2017 Duration 137 min Type Movie Episode 1 Country South Korea Director Rating 18+ Restricted violence & profanity Score Sinopsis Real Real – Konspirasi dan perang yang berputar di sekitar kasino terbesar di Asia … “Seseorang yang persis seperti saya tiba-tiba muncul.” Sebelum bos geng Jang Tae Young dapat membuka kasino Siesta’, miliarder bawah tanah Jo Won Geun muncul tepat di depan matanya dan mengklaim kepemilikan kasino tersebut. Jang kemudian mencari investor lain untuk mencegah kasinonya diambil karena intervensi Jo. Suatu hari, seorang investor yang terlihat persis sama dengannya dan memiliki nama yang sama muncul dan menawarkan untuk menyingkirkan semua masalah termasuk Jo. Dengan kedatangan investor misterius ini, perang Jang melawan Jo dimulai. Hanya yang asli yang bisa memiliki segalanya. Download Real Jika ada subtitle yang kurang tepat harap lapor, bila bingung mendownload ikuti langkahnya di halaman Cara Download
Muitos filmes fantásticos vieram da Coreia, mas vocĂŞ pode se surpreender pois algumas dessas histĂłrias extraordinárias sĂŁo derivadas da vida real. Abaixo estĂŁo alguns dos grandes filmes coreanos “baseados em fatos reais”. “The Admiral Roaring Currents”- “O Almirante Correntes Furiosas” Foto Soompi Estrelando Choi Min-sik, Ryu Seung-ryong, Jo Jin-woong Cheio de ação, emoção e drama, “The Admiral Roaring Currents” atraiu mais de 17,6 milhões de telespectadores durante sua exibição nos cinemas, a maior bilheteria na histĂłria coreana. E nĂŁo Ă© de admirar que o pĂşblico coreano tenha saĂdo em massa para assistir a dramatização de uma das batalhas navais mais Ă©picas da histĂłria. Durante a Dinastia Joseon, sob o reinado do Rei Seonjo e durante as invasões japonesas na Coreia, um homem levou 12 navios Ă vitĂłria contra uma frota japonesa de mais de 300 navios. Esse homem era Yi Sun-shin, um militar que demonstrou grande habilidade e sucesso desde muito jovem. LĂderes militares foram ameaçados e falsamente o acusaram ​​de deserção, depois disso, ele teve sua posição destituĂda, foi torturado e aprisionado. ApĂłs a sua libertação, ele rapidamente subiu de novo nas fileiras atĂ© chegar Ă sua posição de Comandante do Distrito Naval de Jeolla. Ele trabalhou incansavelmente para construir as fileiras da marinha coreana e inventou o famoso Turtle Ship, que seria usado para vencer na Batalha de Myeongnyang. Os historiadores consideram Yi Sun-shin um almirante competente como Horatio Nelson, o qual, considerando seu passado, Ă© quase inacreditável. Ele nĂŁo sĂł liderou a Coreia para uma sĂ©rie de vitĂłrias, tanto em terra como no mar, como saiu em uma explosĂŁo de glĂłria depois de lutar contra a ofensiva japonesa. Suas Ăşltimas palavras vĂŁo lhe dar arrepios “A batalha está no auge. Bata meus tambores de guerra. NĂŁo anuncie minha morte”. “Silenced”-“Silenciado” Foto Soompi Estrelando Gong Yoo, Jung Yu-mi A verdadeira histĂłria por trás de “Silenced”, um filme baseado em um romance de mesmo nome do autor Gong Ji-young, Ă© chocante e doloroso de se ouvir, mas a falta de credibilidade por trás da histĂłria vem da facilidade com que pessoas em posições de poder esconderam o que aconteceu e encobriram as vĂtimas. A histĂłria segue Kang In-ho interpretada por Gong Yoo quando ele começa um novo emprego em um colĂ©gio interno para crianças com deficiĂŞncias auditivas. As crianças sĂŁo claramente vĂtimas de abuso, e quanto mais investiga, ele encontra uma fundação escura e asquerosa sob uma aparĂŞncia de escola exemplar. Como no filme, o verdadeiro professor se apresentou Ă s autoridades para proteger seus alunos do abuso, mas anos depois, muitas das pessoas acusadas de crimes terrĂveis puderam permanecer na escola como professores. Felizmente, o sucesso do filme lançou uma luz mais dura sobre os acusados, e seus casos foram reabertos. O pĂşblico tambĂ©m pediu ao governo para fazer mudanças sĂ©rias na forma como os professores foram investigados pelos crimes e como os abusadores das crianças foram punidos. “The Chaser”-“O Caçador” Foto Soompi Estrelando Kim Yun-seok, Ha Jung-woo Este filme Ă© muito mais emocionante, envolvente e dramatizado do que os verdadeiros eventos em torno do serial killer coreano Yoo Young-chul. No entanto, a histĂłria verdadeira Ă© certamente uma para os livros, sendo o assassinato em sĂ©rie uma ocorrĂŞncia rara na Coreia do Sul, com apenas um punhado de assassinos registrados. Nascido em 1970, Yoo Young-chul começou sua vida de crime desde jovem com prisões por falsificação, roubo e roubo de identidade. Ele entĂŁo avançou para abuso e distribuição de pornografia infantil e, finalmente, assassinato e canibalismo. Ele começou sua matança com um rancor contra os homens mais velhos, ricos e espancava-os em suas casas, mas quando as autoridades começaram a ver o padrĂŁo, ele transferiu sua intenção maliciosa para massagistas mulheres supostamente depois que sua namorada, tambĂ©m massagista, o deixou. EntĂŁo mudou seu alvo para as prostitutas, quando seus salões de massagem habituais pararam de mandar pessoas para a casa dele. Yoo foi apreendido por civis de um salĂŁo de massagens depois que ele os contatou e pediu para encontrar um massagista em um local acordado. Eles o seguraram atĂ© a polĂcia chegar e Yoo acabou confessando 21 assassinatos. Apesar de sua confissĂŁo, o Tribunal Distrital Central de Seul condenou-o apenas por 20 casos por falta de provas fĂsicas. Ele foi condenado Ă morte em 13 de dezembro de 2004 e permanece no Centro de Detenção de Seul. Embora a pena de morte seja permitida pela lei coreana, ela nĂŁo Ă© realizada desde 1997. “Memories of Murder”-“MemĂłrias do Assassinato” Foto Soompi Estrelando Sang Kang-ho, Kim Sang-kyung, Kim Roe-ha Este filme cheio de ação e emoção, do diretor Bong Joon-ho, Ă© um relato solto de um dos casos de assassinato mais prolĂficos na histĂłria da CorĂ©ia. Os assassinatos em sĂ©rie de Hwaseong abalaram a Coreia do Sul quando um homem desconhecido estuprou e matou 10 mulheres entre 15 de setembro de 1986 e 3 de abril de 1991. Este caso se tornou o primeiro registro conhecido de serial killer na Coreia do Sul com um modus operandi claro e foi comparado para o notĂłrio Zodiac Killer of America. Em cada caso, as vĂtimas foram encontradas presas, sexualmente agredidas e estranguladas atĂ© a morte com itens de suas prĂłprias roupas. As autoridades foram incapazes de identificar um suspeito, apesar de ter provas de DNA, como a investigação forense ainda estava em desenvolvimento inicial, a polĂcia acredita que o criminoso tinha 20 anos no momento de seus crimes, entre 1,65 e 1,70 centĂmetros de altura, e o sangue tipo B, mas pouco mais Ă© conhecido. Outro assassinato usando um modus operandi similar foi investigado em 2004, mas ainda nĂŁo está resolvido e nĂŁo pode ser diretamente ligado ao caso de assassinato em sĂ©rie de Hwaseong. O estatuto de limitações do caso acabou em 2006, mas a AssemblĂ©ia Nacional da Coreia do Sul aprovou uma “lei de processo penal emendada” em julho de 2015, removendo o estatuto de 25 anos de limitações de homicĂdio em primeiro grau em uma quase unanimidade de votos. Isso significa que o caso pode ser legalmente reaberto e investigado. Mais atenção foi trazida ao caso e suas vĂtimas, por várias adaptações de TV e filmes, incluindo “Memories of Murder”. “The Case of Itaewon Homicide”-“O caso do homicĂdio de Itaewon” Foto Soompi Estrelando Jang Geun-suk, Jung Jin-young Em 3 de abril de 1997, uma festa em Itaewon deu uma reviravolta quando o estudante de 22 anos da Universidade de Hongik, Jo Jung-pil, foi esfaqueado atĂ© a morte no banheiro de um Burger King no mesmo prĂ©dio. Mais de vinte adolescentes compareceram Ă festa, e testemunhas dizem que uma conversa no restaurante Burger King virou a discussĂŁo sobre facas minutos antes do assassinato acontecer. Arthur Peterson 18 anos na Ă©poca do incidente e seu amigo Edward Lee eram os principais suspeitos, mas a falha em investigar corretamente levou Ă sua libertação em 1998 sem nenhuma evidĂŞncia fĂsica para ligá-los aos crimes. Os dois rapazes insistiram que outra pessoa era o assassino, e como eles viajavam muito para o exterior isso dificultou que os promotores os levassem Ă justiça, mesmo Ă luz de novas evidĂŞncias de DNA que provassem a culpa de Peterson e sugerissem que Lee poderia ter sido o instigador. A divulgação de “Where the Truth Lies” estimulou a controvĂ©rsia e levou o pĂşblico a exigir justiça pelo crime, e junto com a persistĂŞncia da famĂlia da vĂtima, Peterson acabou sendo condenado e sentenciado a 20 anos de prisĂŁo. Apesar do fechamento de uma sentença dolosa, o motivo por trás do assassinato permanece desconhecido. “A taxi driver”-“Um motorista de táxi” Foto Soompi Estrelando Song Kang-ho Há muitos filmes e shows em memĂłria e dramatização dos eventos do Massacre de Gwangju, em 1980, mas “Taxi Driver” mostra a experiĂŞncia de dois homens nĂŁo envolvidos diretamente na revolta, mas testemunhando os eventos e lutando para reportá-los ao mundo. De 18 a 27 de maio, em Gwangju, na Coreia do Sul, os moradores pegaram em armas para se protegerem das forças militares apĂłs o tratamento cruel dos estudantes da Universidade de Chonnam durante protestos pacĂficos. Estudantes que estavam se manifestando contra o governo da lei marcial foram atacados, mortos, estuprados e espancados por tropas do governo. Acredita-se que 606 pessoas tenham perdido a vida. Este filme segue a histĂłria de Kim Man-seob interpretado por Song Kang-ho, um motorista de táxi em Seul que ouve falar de um jornalista estrangeiro com um pedido caro. Levá-lo para Gwangju e voltar antes do toque de recolher, durante a agitação civil, quando os jornalistas estrangeiros eram proibidos de entrar na pequena cidade. Apesar dos bloqueios de estradas impostos pelos militares coreanos, eles puderam entrar em Gwangju sob o pretexto de serem missionários, apenas para descobrir o caos do Massacre de Gwangju. Man-seob está preocupado em deixar sua filha sozinha em casa por tanto tempo incapaz de contatá-la, e ele teme por sua prĂłpria segurança. No entanto, quando ele tenta retornar a Seul, ele vĂŞ a dor e o tumulto daqueles ao seu redor e retorna para terminar seu trabalho. JĂĽrgen “Peter” Hinzpeter, o jornalista alemĂŁo que arriscou sua vida e sua liberdade para relatar os eventos do Movimento de Democratização de Gwangju, foi posteriormente premiado por seus esforços depois de deixar a Coreia e compartilhar sua histĂłria com o mundo. Mais tarde, descobriu-se que seu taxista havia lhe dado um nome falso, de modo que o motorista nunca foi descoberto e recompensado. “New Trial”- “Novo Julgamento” Foto Soompi Estrelando Kang Ha-neul, Jung Woo Em 10 de agosto de 2000, um motorista de táxi com o sobrenome Yoo foi encontrado com várias facadas em seu peito e ombro na Yakchon Crossing em Iksan, provĂncia de Jeolla do Norte. Ele foi levado Ă s pressas para o hospital, mas morreu de seus ferimentos no mesmo dia. Um menino de 16 anos com o sobrenome Choi se apresentou como testemunha do assassinato e deu provas para que a polĂcia pudesse fazer um retrato falado do assassino. No entanto, trĂŞs dias depois, a polĂcia prendeu Choi por suspeita de assassinato, alegando que ele havia confessado o crime. Embora ele tenha retratado sua confissĂŁo alegando que foi coagido pela polĂcia, mais tarde ele confessou novamente e foi condenado a 10 anos de prisĂŁo. Em 2003, o departamento de polĂcia de Gunsan divulgou um comunicado anunciando que haviam prendido o verdadeiro assassino, mas devido Ă falta de evidĂŞncias fĂsicas, eles nĂŁo conseguiram condená-lo. Neste momento, Choi cumpriu trĂŞs anos de sua sentença de 10 anos e iria completá-la. Um documentário da SBS TV sobre o caso divulgado em 2013 sugeriu que o tacĂ´metro de táxi Ă© uma evidĂŞncia de que Choi nĂŁo poderia ter sido o verdadeiro assassino, forçando o departamento de polĂcia de Iksan a divulgar uma declaração prometendo rever sua investigação. No entanto, Ă luz de um possĂvel processo de Choi, se ele fosse libertado, o departamento de polĂcia nĂŁo alegou memĂłria dos detalhes do caso. Choi sofreu grande estresse mental na passagem e experiĂŞncia na prisĂŁo e pela falsa convicção. ApĂłs a sua libertação, pediu um novo julgamento no Supremo Tribunal de Gwangju, em março de 2013, com o apoio do advogado Bak Jun Yeong, conhecido por se especializar em novos julgamentos. Em novembro de 2016, o tribunal absolveu Choi. No mesmo ano, o verdadeiro assassino, de Ăşltimo nome Kim, foi preso novamente e levado a julgamento e finalmente condenado e sentenciado a 15 anos de prisĂŁo. DisclaimerAs opiniões expressas em matĂ©rias traduzidas ou em colunas especĂficas pertencem aos autores orignais e nĂŁo refletem necessariamente a opiniĂŁo do KOREAPOST.
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